The performances Fiennes, Whishaw, Harris, the twisted Andrew Scott, Monica Bellucci in her little amount of screen time "without mercy" and obviously the Bond "new" main interest: Léa Seydoux are top notch as we could expect from Sam Mendes even better in the direction. This smells like the truly 50th anniversary but 3 years later due to finding itself very encouraged to include references of the whole 007 story than the personal previous outing: It 's a thrilling and tragic Bond film, with best of Connery/Moore and Lazenby roots gadgets included but without becoming too campy or an absurd parody of itself. And the reveals make these characters even more likable and interesting. Just when you think that the script is falling in a familiar territory, the film suddenly subverts your expectations using human drama very effective for Bond and Oberhauser instead the action or the fatigue. Taking its basis as a somewhat follow up it starts as an extended epilogue indeed with a special message from someone of the past brought back from dead "for a few moments" it develops its own big story with style, patching the whole Craig's era so far and even paying homage to certain iconic moments of his run there's a cracking torture scene this time too that may push the rating a bit too far and the franchise overall the fight in the train, a cat, iconic action sequence in the snow.
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But this movie is able to live up the plot of Skyfall by deeper extravaganza and funnier build up even if it tries to rehash elements rather than add other news wait a while in order really meet the villain, spy games in MI6 office, Bond has to operate in the shadows again. Is about a man who is an assassin but at the same a time a human being with his flaws more or less in a way like Dench's M wants for Bond at their first face to face in Casino Royale and his uncertain demise to find someone pure and up to him The rest of the movie If I'd reveal anything, I would deserve a ban from all the users of this site : it takes a little of time at some parts and it probably would affect in direct comparison to its predecessor. Sam Smith tune has a little to compare with the epic scoop from Adele, but as a slow burning ballad is terrific for the movie and very gorgeously designed for it, culminating in a very special opening titles. This is how you start a movie in a truly rip- roaring fashion.Opening credits: It's a special affair to take part. But let me say this in advice: it may not exactly reach the same smart and complex, deeper and meaningful way achieved in the very personal Skyfall.The priceless opening sequence: Masterful. Well, direction, performances and the brave narrative decisions taken in its script.
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